Within a few years of its release in 1921, Victor Sjostrom’s The Phantom Carriage was considered a masterpiece of the cinema, alongside such canonical stalwarts as The Gold Rush, Battleship Potemkin, and The Cabinet of Doctor Caligari. Charlie Chaplin thought The Phantom Carriage was the greatest film ever made. However, as the silent era ended and Carriage’s eye-popping-for-the-time special effects became outmoded, Sjostrom’s film fell out of favor and was soon regarded as more of a relic than a milestone. Fortunately, back in 2011, the Criterion Collection deigned to release a Bluray of The Phantom Carriage.
Showing posts with label cautionary tales. Show all posts
Showing posts with label cautionary tales. Show all posts
Wednesday, October 4, 2017
Spooky Things #2: Victor Sjostrom's PHANTOM CARRIAGE
Within a few years of its release in 1921, Victor Sjostrom’s The Phantom Carriage was considered a masterpiece of the cinema, alongside such canonical stalwarts as The Gold Rush, Battleship Potemkin, and The Cabinet of Doctor Caligari. Charlie Chaplin thought The Phantom Carriage was the greatest film ever made. However, as the silent era ended and Carriage’s eye-popping-for-the-time special effects became outmoded, Sjostrom’s film fell out of favor and was soon regarded as more of a relic than a milestone. Fortunately, back in 2011, the Criterion Collection deigned to release a Bluray of The Phantom Carriage.
Monday, December 3, 2012
Brother To Him That Destroys
As a warm-up for tomorrow's Criterion Bluray release of PURPLE NOON (1960) - Rene Clement's vibrant adaptation of Patricia Highsmith's The Talented Mister Ripley - I thought I'd check out GERVAISE (1956), Clement's ultra-bleak adaptation of Emile Zola's novel, L'Assommoir. I'd seen Clement's FORBIDDEN GAMES ages ago and found it tedious but I loved NOON so I figured GERVAISE - which came out a few years ago on the Essential Art House Criterion sublabel - might serve as a Clement tie-breaker.
Labels:
alcoholism,
cautionary tales,
Criterion,
Emile Zola,
Essential Art House,
film,
France,
Gervaise,
Maria Schell,
Rene Clement,
sloth
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